The Unknown Script. Is the Prophet Guilty? Who needed the scripts?- AUTOR: J. García

The Royal Spanish Academy gives the definition in the second meaning of the word “prophet” as who “Leaves behind his times or foresees a future”.

The history gives us too many examples, among them is Michel de Nostredame (more famous as Nostradamus), a French physician and astrologer, who could predict the explosion of the “Twin Towers” in New York City the on September 11^th, 2001, and its probability always has been under a doubt. Another example is Jules Gabriel Verne a French novelist, poet, and playwright, known in Hispanics countries as Jules Verne. He is worthy of the prophet`s title with more authority then Nostradamus. Benjamin Solari Parravicini, the painter and sculptor from Argentina is famous as Nostradamus from America, whose prophet`s role is worthy of the rapt attention. His paintings are in the different private European collections and have obtained acknowledgment after gaining different international awards. Benjamin Solari Parravicini made very realistic forecasts after painting approximately 1 000 pictures, which he named “forecasting psychographics” such as the beginning of the 2 World Wars, the construction and the destruction of The Berlin Wall and the catastrophe of the “Twin Towers”. The first flight to the space made by the dog had been predicted by him. And really, the Russian dog husky was the first spaceship`s member!

A reality tends to predominate any fiction and it`s one of the most realistic truth which ever has been. An actor, producer, script writer and writer Xose Lopez from Galicia, 42 years old is a real argument of this statement. Unfortunately he can believe himself to be the protagonist of one`s the most surrealistic stories, which I has ever been told. One of the stories could be taken from Fourth millennium, it`s a program made by channel “cadena Cuatro”, one of the channels of manufacturer Mediaset. This program is dedicated to the investigations and polemics, closely related to the mystery world and psychics.

It was forbidden to Xose Lopez to devote himself to the cinema for 10 years. What was the reason? The reason was as surprising as unbelievable, he wrote the script and his script obtained new and unexpected meaning after the regulatory change 8 years later. The act of terrorism which caused the biggest quantity of human victims in our country`s history could be prevented. It was a fatal prediction! The matter concerns a tragic event, which is known in Spain as 11-M. This script has predicted one of the most tragic event in the history of international terrorism with dramatic consequences for the author as in his professional activity as in the private life. It has been a great deal for him and it has been really difficult to survive it.

The script “Those two black winters” was a tragic turning point which stopped the cinema career of Xose Lopez unexpectedly. Young poet, playwright and film-maker couldn`t ever think of making first steps towards the end of the brilliant career, where all his intensive creative work will be being spoiled.

We want to think about occurred events, so we would like to explore the professional work of Xose Lopez. The intelligent young man had graduated from University of Barcelona, Faculty of Culture of Social Relations and once he decided to choose the way, according to his creative calling, forming his unrestrained creative energy. He decided to be an actor guided by the specialist from Argentina Karlos Lazarte and an producer and playwright at Victor Ernando`s School.

The successful creative period began exactly that time. For 5 incomplete years he wrote more than 60 theatre plays, such as Clown Liaso and his Good Friend Kandido or Conversations with Grandchild of Franco, which were published at the publishing house Alphabet; 25 series of poems, 9 of them were published by Editions Labyrinth and 5 were being prepared for edition; 10 film scripts and 30 articles were dedicated to the Art.

Xose Lopez acts as an actor in more than 20 dramas of amateur theatre, he is the author of the Manifesto of International Moving of Art Culture which is Near and 2 Manifestos of the Theatre of Misfortunes, as a director of 2 theatre companies: Cruel Dreams and We Enter after 5 o`clock, being at the head of them he has mounted a production of 20 plays (15 of them are based on his own texts, and their opening nights took place in Barcelona). The difference of his creative possibilities is being showed us in all his activities.

He managed many courses and workshops of training actors free of charge and opened at the Theatre the School on the Run, in accordance with his thoughts about dramatic art.

Finally he wrote 2 dozens film scripts, 3 of them became movies and he was their actor and director : Where is Calm, Yellow Line and Drama about Reed, which successfully took place at the first 2 International Film Festivals Nunes. The movies Where is Calm (2011) (it was risen in applause by the audience) and Yellow Line (2012) became finalists. This Film Festival was not very famous, but Xose Lopez received a great plan for the future, partly due to the intensive work of producer Adolfo Quibus. The movie Drama about Reed received the second Award and was made together with Carlos Lasarte and Carlos Villarrubia.

Xose Lopez wrote scripts and became a director of 4 short-length movies: The Boy with Sad Eyes, Farewell Letter, Luigi and Before Bitter “Good Bye”, where performed Enrique Alcides, Roger Pera and Berta Casals.

He was the author of the medium-length movie: Late Afternoon with Merce Comes and Carlos Lasarte.

He performed as an actor in more than 20 short-length movies, many medium-length movies and 4 full-length films.

But now we would like to discuss the script of Xose Lopez “Those, two black winters”. Two broken lives, love, death, fear before act of terrorism were embodied in the situation that was very much similar to the accidents that took place that sinister day on March 11^th, including the bomb at the railway station… Fantasy appeared only from imagination of the protagonist of that nightmare, but far away from the dreams, which were in our real world, so more terrible and tangible…

Script writing took 2 years of the intensive work. It was handed over to the Register of Intellectual Property on November, 1997 and registered completely on June 29^th in 1998. Right from that moment began series of accidents with absurd nature, such as inquiry aimed at Xose Lopez, disturbing reports, which were written by special services and the copy`s script was handed with too much underlining… Extraordinary situation for each person, who was only doing his creative job and inserted into it his efforts, devotion, passion; his sincere wish to tell stories was reflected in this work.

But the life goes on and has come the 11 March 2004, Thursday, the time between 7:37 and 7:40. Three incomplete minutes were enough to draw in panic 3 railway stations Atocha, El Rozo del Tio Raimundo and Santa Eugenia.

Xose Lopez gave up the cinema after that accident.

The word “prediction” sounds very loudly in each the deepest corner of our imagination. This word gives the terrible feeling that the history has been the result of an unconscious inspiration of the prophet. Without doubt he couldn`t imagine such witch-hunt and he has been more and more closely to it happening. Such turn of fate has been even difficult to imagine. What artful minds have decided to suspect fiction? What thoughts, decisions and opinions have come to those heads? What unexplained relations have raised, destroying actor`s professional life, imposing an eternal ban on his appearance on the big screen?

In spite of it and against all he could be engaged in creation and he has been generally recognized at the international festivals, without money, having very poor resources and using his private freedom but with fully banned professional one. It`s the error-free proof of talent`s appearing even without any resources, even being an victim of painful boycott in your own country. It`s all against inept and wrong situation lasting too much time.

We are thinking about miracles and about things peculiar to person, about chances and causal relationships, conspiracies, justice and injustice, about country with wide and powerful cultural heritage, rich prolificacy in Art with no doubt, with the richness of personal talents, amazing capacity for creative work, with restless minds which are always ready to propose their possibilities and ideas for this country to be prosperous in spite of some misfortunes. You understand that it will happen when the wall of misfortunes disappears without regrets, clipping wings, handling without mittens, awaking thoughts that have been restricted before.

The USA is a mirror we look in and we have an eye on correspondence of our interests to those, who direct or redirect our attention. America would launch all the mechanism with production troubles from the beginning. It`s all for bringing to the big screen without anxiety and with permission of all necessary institutions every pleasant or tragic event, showing misfortunes or greatness, possessing meaning as well as for one person as for everybody. It happens only because it`s the part of our life, all the human being, the development of different events and we are talking about one or different stories worthy to be narrated.

Such thoughts put the finishing touch to my discouragement, and it`s covering all my body like a disease. I`m suffering from contradiction, the sense of old sadness and lazy weakness. I oppose to such contradiction, when I remember some television`s debate style (intentionally false), sensational press, sensational character of mass media. I let pass between all of this timid attempts to make matters worthy of punishment, struggle and effort to develop culture and investigations, platforms I+D and drain-away. It`s all inevitable and a word has drifted into my mind to resume sadly all my thoughts: misery.

The Royal Spanish Academy gives the definition in the first meaning of the word “prophet” as person “Who imagine chimerical things using his exalted fantasy and creates them with ease”. Writers, script writers, artists, sculptors, geniuses and less genius of fine arts and nature are under this definition and nobody will clutch at his head. Being close to this point I want to put a question, which I have shaky in my throat and I would like better to cry it out then to tell: maybe neither of them deserves such cruel punishment, do they? Xose Lopez has doomed for 10 years of punishment, without completely free permission of professional activity, which has been a real passion for him in his own country, where he was born. His sentence is to limit his activities completely with complete lack of freedom. When others are using their professions to the maximum without restrictions and cuttings down, without any brand of shame, causing rising doubts, without suspicion leading to the hermitry, without struggle among pain caused by restrictions and suffering from unjustified shame, when it`s impossible to be like a fantasy, free and unlimited, dreamy or coinciding with reality by chance. In this case fantasy directly has been classified like crime.

We hope that common sense will reestablish things in the right order and justice, prevailing among the laws, resolutions, reports and institutions to disaffirm the prescribed punishment for Xose Lopez, to exonerate him from professional prosecuting he has sentenced to.

No doubt, that 10 years of “partial ineligibility” it`s a decade which will never return to him and nobody could make him to pass through it. These 10 years are containing sad addition of surprise in the best case and sadness, depression, anxiety, weakness in the worst meaning of the word.

I`m checking all the material for this article now. I remember my conversations with Xose Lopez, thinking about my own ideas and I have to acknowledge that I`m still having feeling we are loosed in roaming, very insubstantial suppositions and unconvincing conclusions. It`s something that keeps on escaping from me and I feel necessity to investigate it, I need very exact responses to these questions humming in the air, looking at me from the side and whispering me that there`re uncompleted affairs, waiting for somebody who will establish firm connections with reality.

Maybe, it`s one of the sixth senses and it`s impossible to explain it a priori or maybe it`s my dissatisfied instinct colliding with such doubts and vaguenesses though humming in the air. Maybe it`s my desperate spirit searching for truth hidden under anxious splashes. Probably, I follow my seeking and researches because of all these reasons and sense of sharp pain of the empty words, written on the useless scrap of paper when I feel acute necessity of responses.

I always appeal to dossier, taking it in my hands, researching in depth the copies of article, published in the newspaper El Mundo, the on March 6^th 2005. After reading it, my rapt attention has been drawn to similarity of fantasy with effort of the second act of terrorism, that has been prevented by police on the station Chamartin the night before Christmas 2003. The coincidence of this successfully failed act of terrorism with the script “Those, two black winters” is the same or even more evident in comparison with coincidences described at prophetic 11-M: there`s the same railway station, the part of the year (Christmas), close weight of explosives (25 kilogram of dynamite in the script, 2 bombs with weight 20 and 28 kilogram prepared for explosion in the real life. When so many similar circumstances appeared, I went through the criminal story of terroristic gang ETA and got to know that another act of terrorism, described by the article of the famous newspaper, quoted by me, edited with a huge circulation, was perpetrated by the terrorists on July 29^th 1979. Triple explosion took away lives of 8 people and wounded 113 people at the airport Barajas and at the stations Chamartin and Atocha. Xose Lopez felt deeply impressed after knowing about these 2 accidents. Why have they compared his script with the 11-M so insistently?

One phrase has been taken from the script “Those, two black winters” and used in the article reminds me some artful strategy, has been invented to take attention away from 11-M: “Nobody have said about the place of the mechanism location, usually the terroristic gang doesn`t behave in a such way. There`s the journalist`s comment: Is it ETA? Other terrorists? Who is it exactly? If journalism doesn`t see any background of objectivity, making his way towards guess-work, which are creating doubts about cinema`s figure, who strived only for making his job in this case, it would be more honest to raise a question that we have collided with a difficult case of a professional tyranny. This way of communication is far from explication of behavior and contributes to a mess and increasing of the slanderous rumors, when there`s somebody on the field of honor who believes in it to make his case public domain, to be free from unfounded suspicion. We would normally expect the newspaper and the journalist (he`s working without any problem) will submit the corrections, but it hasn`t been done after 10 years. In spite of it we believe in truthful journalism, so we are still waiting.

Another phrase from the same article bursts the storm with the manner to discuss the subject, making the concerned person defenseless in front of all has been told, suggested or passed over in silence, without taking into account sufferings lasting for 10 years: “Today I have decided to tell his story like a treatment, directed to drive away ghosts and like a way to guard oneself from different occurrences. From the one part it`s similarly to conviction: “When my story is well-known, I will be being invited to give explanations”. There`re too many phrases, which seem to me to be mischievous: “This invented story is his only one sin apparently”. Apparently?! Where is this insistence to send for doubt concerning his author from? Maybe this story proves something more and has been invented with some purpose, doesn`t it? How much harm could cause some words, used skillfully, with an exquisite implication and directed to creation of the implication? It`s unfairly, foul and causes harm, too much harm…

Besides it, only authors and judges have access to the Register and if they regard it as suitable for inquest, why hasn`t no one judge summon Xose Lopez to testify for 10 years? Who has made the underlining in the script?

I`m following an investigation, trying to find logical explication to make sense to all this subject, consisting of one absurd nonsense and the rough and eloquent truth shows up at the end. The abbreviation comes with following 2 numbers: CMX-04, taking into account the real aim of my intolerable desire to receive responses and giving time to my conscience for preparation with understanding that it`s more bigger, darker and meaner.

I`m beginning to find information about it and I`m discovering relations, that can explaining me many things: CMX-04, Operation “Gladio”. I feel myself like have been cornered by facts that seem to me a gift, reward for my persistence with too many questions to be solved. But one thing appears at the end and completely has me over the barrel. This revelation evokes more disturbed sensation every time. I`m standing in front of poisoned gift. There`re inaccessible relations, the journalists, who don`t make any declaration about this matter, the interview with any other but no recognized masters, with no topic to speak about clearly.

I don`t know what to do with this unexpected material. I feel the necessity to open the veil, but from the other side I understand the risk it will bring or, maybe, not… Fortunately, this necessity is much stronger then a fear before some possible consequences and it makes me to listen to my inner voice, emerging the questions that have appeared earlier: why have I kept silent till now? Why, when all this information is located in the web? You only have to know where to find it or more better to be ready to find it.

After the dialog between my inner voice and discretion I feel myself the small grain of the sand, before I`ll be knocked down by an elephant’s herd and my part wins that is thinly disposed to clearness, leaving the darkness and opening the secrets. This part wants to take parts of the puzzle for such restless heads like mine, eager to knowledge could be brave to locate parts at the necessary cell. So, I decide to tell the story from the end but in reality it`s the beginning.

We have to move to the end of the Second World War, in times of conventions, strategic alliances and secret operations. We go away from latent pressure under a certain calm. “World peace” has been introduced, it protects the order from the chaos and it has to be defended at any cost. We don`t speak about life, only “peace” is very important. In such desperate order of things NATO tells about the risk of Russian invasion and therefore creates surreptitious secret forces: nets “Gladio” or nets “stay-behind”, means of communication pass them over in silence. Their existence has been discussed on the lectures of Modern History, the Prime Minister of Italy Giulio Andreotti has told about it in 1990. It`s known a case with University professor Daniel Ganser in Bale (France), who confirms documentary the existence of the net Gladio in his book “Secret troops of NATO”.

The activities of this secret European net are coordinated from the Pentagon, NATO, CIA and similar Britain organization MI-6, making election`s falsification, state upheavals and acts of terrorism, pointing at the left communists and anarchists with the aid of groups of the right ultras, like agents aimed to destabilize situation, who are enemies of the urban citizens and not at representatives of political and state forces, that have to stand against in the beginning. The goal of such tricks is to force the changing more authoritarian regime.

The basis of the operation Gladio (the name came from the word “gladiator”) are so called “attacks under foreigner flag”. This practice is to attack the enemy`s nation under the flag of the Third State with the aim to come into collision with attacked.

The terrorists under the false flag were aimed to fight with communism before the nineties, but the real reason was the war against Islamic terrorism, a new enemy invented to justify the invasions at the world level aimed to seizure and control above natural resources from the side of the elected government, especially it concerned the control of hydrocarbon resources.

Now let`s combine all this plot with CMX or Anti-Terrorism exercise. Captain Eric H. May, ex-officer USA Intelligence Services: “The easiest way to attack under the false flag is to do it having a cover of a similar military exercise, imitating the fulfillment of the same attack necessary to be completed.

On March 1^st , 2004 NATO published on the website the Press Statement to conduct its annual crisis management exercise at the capitals of its country-members from 4 to10 of March. Such exercise would include civil and military staffs and let them move in about-mentioned capitals, using different kinds of armaments and without a police control. All the countries published this Statement, without Spain.

The crisis management exercises (CMX 2004) were stopped under the pretext of attack of al-Qaeda similar to that happened some hours later in one of the capitals of country-members. The matter concerned 11-M.

One year later, on July 7^th , in London other crisis management exercise contemporized with the real explosion made by al-Qaeda, according to official sources, aimed at the same like exercises CMX, that we were talking about.

If the possibilities of the terroristic act will be done some hours later after completion of preparation`s exercises (the accident in Madrid) or in the same day and the same time they are conducted (the accident in London) are unlikely or improbable, so we`re talking about protection for hiding terrorism on the state level, don`t we? Do we talk about confirmation of imperialistic war, that doesn`t have another real aim besides pillage of natural resources of defined territory?

From the other hand, Article V of the Washington Agreement on April 4^th, 1949, lays down that if country-member of NATO is attacked from the outside, it`ll be considered like attack, directed against all countries, consequently, the country will be being protected by all countries-members of NATO. The sources, providing advice, consider if al-Qaeda had been behind 11-M, the Spanish government would have come to help NATO.

I`m checking all my documents for the last time. I have to refer to very similar explosion to 11-M. This conformity is amazing me from the beginning of my investigation and till now.

It was on August 2^nd 1980 on the Station Bolonia. This place like Atocha was very important center of the railway traffic of national scale. The result was 85 dead and more than 200 wounded after bomb explosion at the waiting room of passengers of the second class, where were mainly workers. The victims were those, who were travelling at the first morning time on March 11^th in Madrid (there were no high capacity in that time of the time-table).

The explosion in Bolonia was wrongly attributed to anarchist groups and the explosion in Atocha to Islamic groups, related to al-Qaeda admittedly. The judges in Bolonia and in Madrid received much false information and in Italy has been appointed the “scapegoat”: professional dancer Pietro Valpreda.

The member of neo-fascist group named “New Order” came to declare: “The explosion in Bolonia, like all bloody violence corresponds to a state`s logic not to know how to answer the enemy`s victory, uses an extreme violence, arrogating it to extremists, excusing their own activities. The logic of all explosions is to refuse the liberty in exchange for security. These actions are without punishing, because the state can`t punish itself. […] “Thousand of people have been tricked, murdered, arrested for the sake of the state”.

How can we explain a “simple” ban, when we are talking about murders from the part of the state?

Maybe, somebody has looked for film-scripts to create the preparation`s scripts, hasn`t they?

Let`s advance the following hypothesis: Anti-Terrorism exercise, that was conducted by NATO and based on the film script, that had influenced on the biggest terrorist act in the history of Spain, that was done the next day of it completion. Such thoughts raised the hairs on my nape… However, an explanation was emerging that the inspirer could be the figure of cinema, somebody who was nearly there and had no luck or his fortune disposed otherwise and he found himself in the wrong place in the right time for other people, giving unrestrained liberty for his imagination, inspired to write such script…

Who was interested in conversion of Xose Lopez into Oswald for Kennedy in our case?

The actions were made strongly, he wasn`t allowed to work, scope of his activity was reduced. Was he controlled in this way? Was it the way to avoid the topics when was not interesting to proceed with, because there were too many doubts and specified protected information?

Was Xose Lopez one of the collateral inconveniences, moved away strategically as a consequence of the one of Machiavelli`s philosophy when the purpose has determined the means?

I want and there is a need for me to create that it isn`t so…

I`m exhausted. It was very hard toil to collect all this. We all suspect however there aren`t absolute and ever partial truths in all the words has been told for us from the high government`s levels, when hidden and not showed is an indisputable fact, one human life costs less than a commercial deal in spite of to be sold with these and many other things. It hurts to come across to this cruel reality. It`s acute pain, but it doesn`t matter when is compared with the pain of system`s victims, people, who play a central role in the unnatural maneuvers against their will. It`s a such system causing damage to everyone, including own hangmen. It`s some Status Quo, which will finally absorb itself, if we don`t have bravery to fight with strong intention to create something other…

When such moment comes, the endless victim`s quantity will write by the bloody paint the real history more unnatural and bitter then is told by books. The assurance is bitter too, because when we continue to be silent, the history will be being created by “them”.